By Stephen Parkinson, Cláudia Pazos Alonso, T. F. Earle
This spouse quantity deals an advent to eu Portuguese literature for university-level readers. It involves a chronological assessment of Portuguese literature from the 12th century to the current day, via one of the most distinct literary students of modern years, supplemented by means of a research of the background of translations of Portuguese literature, titanic essays concentrated on significant authors, genres or sessions, and a wide bibliography. It doesn't try an encyclopaedic insurance of Portuguese literature, yet presents crucial chronological and bibliographical info on all significant authors and genres, with extra broad remedy of key works and literary figures, and a selected specialize in the trendy interval. it's unashamedly canonical instead of thematic in its exam of imperative authors and sessions, with no neglecting girl writers. during this method it offers simple reference fabrics for college students starting the learn of Portuguese literature, and for a much wider viewers searching for common or particular details. The editors have made a principled selection to exclude either Brazilian and African literature, that could no longer were incorporated with adequate prominence or intensity, and insist separate therapy.
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Extra resources for A Companion to Portuguese Literature (Monografías A)
21 36 RIP COHEN That little girl from Bequick – Let her still come do me the trick In the night, in the moonlight. Though she now shows me her frown Let her still come and take me down In the night, in the moonlight. Though she treats me really bad Let her still come and make me glad In the night, in the moonlight. Why cannot this be a cantiga de amor? How can we tell this is an insult and not an amorous invitation? There are several ways. First, though her name is not given, the woman is identified (line 1), violating the conventions of a cantiga de amor.
1930), the most powerful poetic talent to emerge in the second half of the twentieth century, began to write poems of extraordinary bardic fluency, strictly organised in a combinatory art of perspectives, voices and quotations, in which the frontiers between the literal and the metaphorical, subjectivity and objectivity, are obliterated. Other poets who emerged in the late 1950s followed a ‘baroque’ line, using strict formal structures within which they practised a deliberate disjunction or syntactic disorientation that allows words to explode within their confining cocoon.
Post-war literature reflected a consolidation of the modernist inheritance of the early years of the century, as the work of Fernando Pessoa’s generÂ� ation became more widely known. Jorge de Sena (1919–78), poet, critic and essayist, was the leading writer of the post-war period. Other notable writers of the period include Sophia de Mello Breyner Andresen (1919–2004), who 22 HELDER MACEDO is considered one of Portugal’s finest contemporary poets, David MourãoFerreira (1927–96), a poet and novelist of subtly celebratory sensuality, and Carlos de Oliveira (1921–81) and Egito Gonçalves (1922–2000), both of whom combine literary innovation with political commitment.
A Companion to Portuguese Literature (Monografías A) by Stephen Parkinson, Cláudia Pazos Alonso, T. F. Earle